Produced by Joseph Cottrell, Jeffrey Crecelius and Ken Fuller Mark and I had a great time this week thinking about interesting or unusual Yes musical textures. We both came up with 3 examples that we thought were surprising or different so do have a look below to hear the clips we are referring to and add your own examples to the comments section. You may be surprised with some of our suggestions - that's somewhat the idea, after all. What interesting textures can you think of in Yes music? Is it down to instrumentation, arrangement or a combination? Do Mark and I choose the same things again?

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