Produced by Joseph Cottrell, Wayne Hall, Ken Fuller and Jeffrey Crecelius This week, Mark and I returned to our occasional series on Yes concepts. This time we considered Yes audacity - those times when the band has done something few others would have attempted. We both came up with 3 examples and it proved to be a very enjoyable conversation, albeit with quite a bit of shameless self-promotion from me. In the world of progressive rock, perhaps the most audacious genre of all, what do you think we came up with - and what would you have chosen? Let us know in the comments on the show notes for this week. What are the best examples of Yes' audacity from the past 50+ years? Innovation or excess? Would you have chosen the same examples as us?

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