Plot isn’t a set of commandments—it’s a collection of patterns we’ve learned to recognize. This episode kicks off the season’s deep dive into deconstructing plots, asking what different story structures are really doing beneath the surface and why they work (or don’t). Our hosts unpack plot as a toolbox rather than a formula, exploring action plots vs. emotion plots, Western vs. non-Western structures, and how audience expectations shape everything from middles to endings. This conversation reframes plot as a way to pull readers through a story—not to box writers in.Homework:Pick a story you enjoy and gently reverse-engineer it. Go scene by scene and label each one simply as “good thing happened” or “bad thing happened.” Look for patterns you didn’t realize were there.ANNOUNCEMENTS: 2/15 Cruise Prices Increase The final WXR cruise* sets sail for Alaska in September 2026—get your tickets now before prices increase on February 15th! Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out Gusto: https://gusto.com/WX* Check out Quince: https://quince.com/wx* Check out Talkiatry: https://talkiatry.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

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