Musicians have flirted with Nazi imagery since the ‘60s, lampooning its theatre, absorbing its style, exploiting its shock value, even promoting its ideology. Daniel Rachel’s new book ‘This Ain’t Rock ‘N’ Roll’ points up extraordinary examples – “from Tommy Steele to Kanye West” - and how our reaction intensified over the years. Which leads us to … … parallels between stadium rock and the Nuremberg rallies … hearing the Sex Pistols’ Belsen Was A Gas and seeing their Nazi insignia at the age of 12 … David Bowie’s German memorabilia and belief that “Hitler was the first rock and roll superstar” – and the doctored photo of his “Nazi salute” at Victoria Station … Bernie Rhodes versus Malcolm McLaren on the “reclaiming of the swastika” … the lyrics and imagery of the Siouxsie & the Banshees … Viv Stanshall and Keith Moon’s atrocious visit to Golders Green ... the German invention of the tape machine that started the record business … “I’m not the Simon Wiesenthal of rock and roll!” … Joy Division, New Order, K-Pop, Brian Jones and his SS uniform, Ron Asheton of the Stooges, John Lennon, Lemmy, Blue Oyster Cult, “Adolf Hitler on vibes”… “Rock and Roll has a duty to recognise its downfalls”. Order ‘This Ain’t Rock ‘N’ Roll: Pop Music, the Swastika and the Third Reich’ here: https://www.waterstones.com/book/this-aint-rock-n-roll/daniel-rachel/9781399635721Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

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