When The Sun Meets Culture © 2020 PodcastISBN978-976-96512-2-7 During my academic tenure at New Jersey State University I was exposed to theory and practical of analysis of film a wide, shot, very wide shot, extreme wide shot, established shot, master shot and  closeup a student of film and a cinematographer as Media Arts Major. The aforesaid description can be characterized as a testimony which qualifies me  too tightly frame and control this intellectual conversation When The Sun Meets Culture.At the outset When The Sun Meets Culture is not only a theoretical expression but a thought  which was existing coupled together and an idea that underpins the citing of physical and concrete existence. The more that I analyse this construct in this space I decided to metaphorically through my lens as an author, license cultural practitioner and Media Arts Specialist navigate this conversation through several different camera angles because these cinematic techniques allowed for greater detail. Bordwell, David, Janet Staiger, and Kristin Thomson. The Classical Hollywood Cinema: Film Style and Mode of Production to 1960 . New York: Columbia University Press, 1985.Chapter 8 – Measurement of sunshine duration" (PDF). CIMO Guide. World Meteorological Organization. Archived from the original (PDF) on 2012-10-02. Retrieved 2008-12-01.Gittens,William Anderson Author, Cinematographer,Dip., Com., Arts. B.A. Media Arts Specialists’  Editor-in-Chief License Cultural Practitioner, Publisher, Student of Film, CEO Devgro Media Arts ServicesHigham, Charles. Hollywood Cameramen: Sources of Light . Bloomington: University of Illinois Press, 1970.LoBrutto, Vincent. Principal Photography: Interviews with Feature Film Cinematographers . Westport, CT: Praeger, 1999.Lowell, Ross. Matters of Light and Depth: Creating Memorable Images for Video, Film, and Stills through Lighting . Philadelphia: Broad Street Press, 1992.Madanjeet Singh: The Sun: Symbol of Power and Life, Harry N Abram, 1993. ISBN 9780810938380Malkiewicz, Kris. Film Lighting: Talks with Hollywood's Cinematographers and Gaffers . New York: Prenctice-Hall, 1986.Rasheed, Z., Y. Sheikh, and M. Shah, "On the Use of Computable Features for Film Classification." IEEE Transactions on Circuit and Systems for Video Technology 15, no. 1 (2005).: http://www.filmreference.com/encyclopedia/Independent-Film-Road-Movies/Lighting-LIGHTING-TECHNOLOGY-AND-FILM-STYLE.html#ixzz6VXw9agYmSalt, Barry, Film Style and Technology: History and Analysis. 2nd ed. London: Starword, 1992. Original edition published in 1983.http://needtoknow.nas.edu/energy/energy-sources/the-sun/http://solar-center.stanford.edu/SID/activitiSupport the showCultural Factors Influence Academic Achievements© 2024 ISBN978-976-97385-7-7 A_MEMOIR_OF_Dr_William_Anderson_Gittens_D_D_2024_ISBNISBN978_976_97385_0_8 Academic.edu. Chief of Audio Visual Aids Officer Mr. Michael Owen Chief of Audio Visual Aids Officer Mr. Selwyn Belle Commissioner of Police Mr. Orville Durant Dr. William Anderson Gittens, D.D En.wikipedia.org/wiki/Lifelong_learning Hackett Philip Media Resource Development Officer Holder, B,Anthony Episcopal Priest, https://brainly.com/question/36353773 https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-19 https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-:2-18 https://independent.academia.edu/WilliamGittens/Books https://scholar.google.com/scholar?hl=en&as_sdt=0%2C5&q=william+anderson+gittens+barbados&oq=william+anderson+gittens https://www.academia.edu/123754463/ https://www.buzzsprout.com/429292/episodes. https://www.youtube.com/@williamandersongittens1714. Mr.Greene, Rupert

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