Michelle Zeto, Geoffrey Himes, and Rob Shepherd have each built careers in music journalism and broadcasting. They discuss how genre categories shape both criticism and listening, the difference between being a savant and a polymath, and whether the post-genre world is liberating or limiting. The conversation explores the role of critics as translators, the rise of playlist culture, and why attention spans may not be as new a problem as we think.In this episode, we explore: How musicians themselves often resist the "jazz" label—and what that means for writers Why shorter attention spans might not be the crisis we think The tension between consumer advisor and cultural translator What human curation offers that algorithms can't Whether broad knowledge serves critics better than deep specializationLearn more about our guests:Michelle Zeto and "Jammin' Jazz" Geoffrey Himes and "Hard Rain and Pink Cadillacs"Rob Shepherd and PostGenre.orgOur host:Lawrence PeryerAnd our organization, the Jazz Journalists Association. Take a look at the Jazz Omnibus, the 600-page anthology of 21st century photos and writings by members of the Jazz Journalist Association, available online and wherever books are soldDon’t miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts. For more from the Jazz Journalists Association, go to JJANews.org.

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