For Kamilaroi artist Warraba Weatherall, art that isn't a catalyst for something—that isn't driven by critique of gatekeeping museums, the criminal justice system, or the wilful historical amnesia and complacency—isn't worth making. Warraba has just unveiled his first institutional solo at Sydney's Museum of Contemporary Art, laying bare his politics in a manifesto of simmering rage catalysed into monumental sculptures, anti-monuments, and a tense 8-minute film that explores the violence of the archive.

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