Kate Molleson looks at how music venues and institutions across the world are responding creatively to the programming and performance challenges of COVID-19. Kate talks to Deborah Borda, Chief Executive of the New York Philharmonic. The orchestra has cancelled all scheduled concerts until June 2021 but its musicians have been reaching every corner of the city by performing music on the back of a truck as part of their new live concert format, NY Phil Bandwagon. Composer and vocalist Jennifer Walshe has recently been elected into Aosdána, the affiliation of creative artists in Ireland whose work has made an outstanding contribution to the arts. Jennifer talks to Kate about her recent project involving artificial intelligence and how she is gathering source material during these uncertain times. The prize winning novelist and music journalist, Sean Michaels shares his thoughts on how Montreal’s vibrant venues and music makers have become silent again. We hear from Chief Executive of the São Paulo Symphony Orchestra, Marcelo Lopes and composer, João Ripper about how they have been welcoming back live audiences and continuing to premiere new works. Finally in Kenya, Elizabeth Njoroge, Founder and Director of the Art of Music Foundation, she talks about her music education and social project, Ghetto Classics.

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