Is cinema dead? Is the 21st century delivering fewer masterpieces than before? Why does Michael consider this French gangster film to be among the top films of the 21st century? Why are French prisons so weird? What is the deal with a white Frenchman making a film about Arab gangsters? Is it OK to represent Arabs as gangsters, or is that a problematic idea? Is "representation" a dirty word? Do we all have to chill out and love each other more? What do the guards from Oblivion sound like in French?

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