First up: Marvel's latest attempt at rebooting the Fantastic Four. Is it finally the version that gets Marvel’s First Family right? Or are we stretching ourselves thin trying to defend another mid-tier blockbuster?Then we shift gears (hard) into Ari Aster’s Eddington—his enigmatic, polarizing follow-up to Beau Is Afraid. We unpack its dreamlike horror, existential dread, and whether or not Aster’s surrealist tendencies have finally gone too far... or just far enough.A conversation about broken families, cosmic horror, and men making big choices in big coats.⁠VHSGuy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠StopCulture⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ghoulif⁠

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