The major triad is considered the foundation of tonal music, its privileged position owed to its presence in the harmonic series of acoustics. The minor triad lacks this acoustic foundation, which led to it being treated as less stable, and even pieces in a minor key usually ended on the major form of the same triad.From the late 18th century onwards, major was paired with joy and minor with sorrow, and composers could play with these associations. A lecture by Marina Frolova-WalkerThe transcript and downloadable versions of the lecture are available from the Gresham College website:https://www.gresham.ac.uk/watch-now/triadsGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://gresham.ac.uk/support/Website:  https://gresham.ac.ukTwitter:  https://twitter.com/greshamcollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeSupport the show

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