This week we’re turning our attention to Peter Sellers’penultimate film (if we disregard those pesky ‘flogging a dead Panther’ posthumous farragoes), and the film for which he came closest in his career to carrying off a Best Actor Oscar: Being There from 1979.  Very much a passion project for Sellers, the film, directed by Hal Ashby (Harold & Maude) and based on the novel by Jerzy Kosiński, centres around the character of Chance, a gardener and late middle-aged ward of an elderly man whose death throws Chance’s entire world into disarray, if he didbut know it. Chance has the mental age of a child and is cut off from the outside world; his limited understanding of anything outside his immediate surroundings is entirely informed by what he glimpses on TV.  Through a series of incidents, Chance (now rechristened Chauncey Gardiner after a misunderstanding) is thrust into the world of the American political establishment when he is invited to stay at the home of dying billionaire Ben Rand (Melvyn Douglas) and his wife Eve (Shirley Maclaine). He meets the President (Jack Warden) and somehow he is assumed to be some sort of oracle, with people believing his every banal utterance to be invested with great truth and meaning.  Podcaster Antony Rotunno (host of Glass Onion podcast) joins Tyler to talk about the film and tries to work out quite why it gets under his skin.

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