Having a conversation about the artworks and important issues such as climate change is everywhere in the globe. It's important for us also in the Horn of Africa region to talk about it through art, not politics necessarily. I feel like it opens a little bit of a door, a little bit more than the politics.Dawit Seto is an Ethiopian performing artist specializing in contemporary dance and choreography who is currently based in Switzerland and whose artistic work intricately weaves together the stories of migrant histories from East Africa and engages in vigorous advocacy for climate justice in all of his artistic pursuits. And you’ll hear him talk with passion about the role of art in his life and for his communities. Through his dedication to storytelling via movement, Dawit transcends physical borders, amalgamating diverse influences and social consciousness into his creations, rendering them both captivating and socially impactful. And I experienced this when I saw his videos. Immersing in the intricate exploration of movement language within Ethiopia's vibrant traditional dance heritage, Dawit infuses his artistic works with an authentic cultural richness that resonates with global audiences. It certainly resonated with me when I first heard Dawit at a creative climate leadership alumni meeting on February 18th, 2024 where he spoke about the impact of climate change in eastern Africa.I spoke with Dawit on June 12th, 2024 by Zoom. Here’s an excerpt from our conversation that positions why he participates in meeting like the creative climate network: I have witnessed the disaster of what climate change can do. I see it in my age and it was also in my grandfather's age. For me, whenever international seminars or meetings are happening to talk about a future, it just makes me scared. And because I saw it in my age. It was not for future for me, climate. Climate was about yesterday. It was about today. Because of that I want to be a part of any conversation as much as I can handle because of resources. We are working on mobilizing and having a conversation and witnessing the disaster that we face.Our conversation helped me understand the impact of the climate crisis in the Horn of Africa and how artists, such as Dawit, are engaging with these issues through artistic creation and cultural leadership.
*END NOTES FOR ALL EPISODESHey conscient listeners, I’ve been producing the conscient podcast as a learning and unlearning journey since May 2020. It’s my way to give back.This Indigenous Land Acknowledgement statement was developed by members of the Algonquin community for my former employer the Canada Council for the Arts. I have adapted slightly to make it my own.I acknowledge that my studio, located in Ottawa, is on the unceded, unsurrendered Territory of the Anishinaabe Algonquin Nation whose presence here reaches back to time immemorial.I recognize the Algonquins as the customary keepers and defenders of the Ottawa River Watershed and its tributaries. I honour their long history of welcoming many Nations to this beautiful territory and uphold and uplift the voice and values of our Host Nation.Further, I offer my respect and affirm the inherent and Treaty Rights of all Indigenous Peoples across this land and honour commitments to self-determination and sovereignty that have been made to Indigenous Nations and Peoples.I acknowledge the historical oppression of lands, cultures and the original Peoples in what we now know as Canada and fervently believe the Arts contribute to the healing and decolonizing journey we all share togetherIn parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I I publish a free ‘a calm presence' monthly Substack see https://acalmpresence.substack.com.Your feedback is always welcome at [email protected] and/or on social media: Facebook, Instagram, Linkedin, Threads, BlueSky, Mastodon, Tik Tok, YouTube and Substack.Share what you like, etcI am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on January 9, 2026

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