This week, I talk to guest Brian Salvatore about the legacy of the late Chris Cornell. Show notes: - Brian: Was never a huge fan of Cornell's early singing style - Rediscovered his love for Soundgarden in recent years - Jay: First heard him when Temple of the Dog came out in '91, then got  Badmotorfinger - The greatness of Mother Love Bone - Soundgarden was perfect bridge between '80s hard rock and the new sounds of the '90s - Jay: Saw Soundgarden in small club in early '92 and then again a few months later at Lollapalooza - Kim Thayil's guitar playing complemented Cornell's voice well - Jason Everman, the Zelig of grunge - The diverse nature of the Seattle acts of the '90s - The pressure of being the "responsible one" - Cornell's final tweets were upbeat - Hard to read into his lyrics - Most of Cornell's songs were dark - His death hit hard because he was ours - Feels like more '70s touring acts have more living members than '90s bands - The drugs were more prevalent in the '70s and '80s, but the '90s acts paid the price - Cornell's first solo album Euphoria Morning is really good - Less impressed with Audioslave - Soundgarden leaves a terrific body of work   Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

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