Sarah Watt, Max Tarrant, Jeremy Downing and William Chen discuss the films Ghostbusters (2016) and Ghostbusters (1984). The discussion touches on nostalgia, the strangeness of the original film, the baffling sexism the stars of the new film have been facing, the radicalisation of pop culture, Ghostbusters hate stepping into Gamer Gate territory, the new film’s meta quality of addressing the kick back towards the film, the logic of ghost busting, the influence of women collaborating in film, the over-analysis of female roles, who should feel entitled to ‘claim’ the film, and institutionalised sexism.

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