“The Picture of Dorian Gray” on Broadway is a fusion of live theater and live filmography. Audiences watch the action unfold in front of them onstage and on screens simultaneously — which presented quite the challenge for costume and scenic designer Marg Horwell.How did she make every fabric and color look great in both media? How did she architect the set to tell the story and complement the technology. Host Ruthie Fierberg, executive editor of Broadway News, spoke to the double-nominated Horwell to get to the bottom of it.Want to be the first to hear these chats? Subscribe to broadwaynews.com today, starting at only $1 per month, and get early access to these episodes and many more exclusive interviews and breaking news stories on Broadway and the Tony Awards.Photo credit: Marg Horwell; photo by Bruce Glikas — @bruglikas, @broadwaybruce_ Twitter/X, @brugli Facebook)

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