Join Tamara – and David Laughlin, previous co-host of the show! – for an interview with Bobby Bagley, a full-time painter. Born and raised on a military base in Arkansas, he painted his first piece during his freshman year of college.
After moving to Savannah, he spent 10 years spent selling every painting he created through the Morris & Whiteside Gallery (now the Red Piano Gallery) in Bluffton. After that relationship ended, he moved into his own City Market studio (307 W. St. Julian Street, Upper Level, Studio #11), where he now works and sells his art.
In his highly realistic paintings, he typically depicts landscapes that are "a perfect bubble," like his childhood environment, yet they always include some winks to Black history as well. His titles are evocative and include "The Brown Girl You See" and "Come Sunday."
Check out Bobby's artwork here: 
https://www.instagram.com/bobbybagleyfineart/
https://www.connectsavannah.com/savannah/bobby-bagley-painting-his-own-story/Content?oid=19995496 
Topics in their chat include:
Bobby burying hints/nods to Black history in his paintings and/or titles; composition, story, and color are the most important elements in his work; "Come Sunday" is a nod to the items in his grandmother's purse during church services; why he doesn't depict a person's entire face; Bobby's view that "art doesn't always have to be fun," because it's work, and making it can be tedious; his 10 years spent selling every painting he created through the Morris & Whiteside Gallery (now the Red Piano Gallery) in Bluffton; how that relationship eventually ended because of a disagreement over Bobby's desire to experiment with a different direction with his art's content; currently he works out of a studio in City Market (on the south side), juggling a few paintings at once; the surprising disclosure that Bobby listens to "the saddest music possible" while he works (!); how his color palette is heavily influenced by the colors in stained glass windows, because of all of his church memories; and Bobby's recent practice of revisiting old drawings from years ago, working in a quicker and less detailed way than he usually does.
Tune in and get all the details!

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