Lucy Bull makes visceral paintings that appeal directly to the senses. Synesthetic fields of shape and color, the paintings are described in sonic, tactile, or even emotional terms that evade rational logic and are unique to each viewer. Worlds take shape across their varied surfaces and just as quickly fall away again; similarly, just when the act of looking generates optical overload or disruptive dissonance, Bull’s accumulations of marks reveal discernible traces of planning and hard-fought negotiations with her materials, leading the viewer back toward the concrete realities of pigment, medium, and surface. As she engages in these open-ended painterly experiments, Bull makes room for both precision and abandon, inviting viewers to participate in ever-unfinished processes of creation that she choreographs but never fully controls. Born in New York in 1990, Bull now lives and works in Los Angeles.

She and I discuss planning to be late, being seated next to each other at a gallery dinner, having your preferences taken into consideration, care and curiosity, talking AT artwork, what photography misses, short circuiting someone else’s perspective, the speed of looking at art, being a graveyard shift worker, stolen time, loving doing what you love, what is foolish, the importance of fun and experimentation, a tabletop exhibition space, weird intimacy, hermit crabs, easing into working, wandering through paintings, and transferring the experiencing of making them!
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