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Listen "The Confidence-Man: His Masquerade by Herman Melville"
Episode Synopsis
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Title: The Confidence-Man: His Masquerade
Author: Herman Melville
Narrator: Frank Phillips
Format: Unabridged Audiobook
Length: 10 hours 50 minutes
Release date: January 15, 2019
Genres: Essays & Anthologies
Publisher's Summary:
The Confidence-Man: His Masquerade was the last major novel by Herman Melville, the American writer and author of Moby-Dick. Published on April 1, 1857 (presumably the exact day of the novel's setting), The Confidence-Man was Melville's tenth major work in eleven years. The novel portrays a Canterbury Tales-style group of steamboat passengers whose interlocking stories are told as they travel down the Mississippi River toward New Orleans. The novel is written as cultural satire, allegory, and metaphysical treatise, dealing with themes of sincerity, identity, morality, religiosity, economic materialism, irony, and cynicism. Many critics have placed The Confidence-Man alongside Melville's Moby-Dick and 'Bartleby the Scrivener' as a precursor to 20th-century literary preoccupations with nihilism, existentialism, and absurdism.
Title: The Confidence-Man: His Masquerade
Author: Herman Melville
Narrator: Frank Phillips
Format: Unabridged Audiobook
Length: 10 hours 50 minutes
Release date: January 15, 2019
Genres: Essays & Anthologies
Publisher's Summary:
The Confidence-Man: His Masquerade was the last major novel by Herman Melville, the American writer and author of Moby-Dick. Published on April 1, 1857 (presumably the exact day of the novel's setting), The Confidence-Man was Melville's tenth major work in eleven years. The novel portrays a Canterbury Tales-style group of steamboat passengers whose interlocking stories are told as they travel down the Mississippi River toward New Orleans. The novel is written as cultural satire, allegory, and metaphysical treatise, dealing with themes of sincerity, identity, morality, religiosity, economic materialism, irony, and cynicism. Many critics have placed The Confidence-Man alongside Melville's Moby-Dick and 'Bartleby the Scrivener' as a precursor to 20th-century literary preoccupations with nihilism, existentialism, and absurdism.
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