In its infancy, DreamWorks Animation studios began its quest to swing at Disney and attempt not to miss. Their best animators were tasked with a project flanked with music by Hans Zimmer and an ensemble voice cast, and anyone who couldn't make the cut was relegated to animating Shrek. That project was The Prince of Egypt, and the gang rapidly discovers that the number of members with religious upbringings outnumbers the number without (sorry Michael) as we delve deep into this discussion. We love the tone of the movie, the strength of its music numbers, and the DreamWorks flare that comes through in small moments in the film. Content warning: SPOILERS, strong language.

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